{"id":23,"date":"2022-05-24T18:23:03","date_gmt":"2022-05-24T08:23:03","guid":{"rendered":"https:\/\/lynhughes.com\/?page_id=23"},"modified":"2022-06-03T07:59:23","modified_gmt":"2022-06-02T21:59:23","slug":"flock","status":"publish","type":"page","link":"https:\/\/lynhughes.com\/?page_id=23","title":{"rendered":"Flock"},"content":{"rendered":"\r\n<div class=\"wp-block-image\"><figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"326\" height=\"500\" class=\"wp-image-24 aligncenter\" src=\"https:\/\/lynhughes.com\/wp-content\/uploads\/2022\/05\/C9E0BF6C-E8FA-45B0-92B5-B52A01695B78_4_5005_c.jpeg\" alt=\"\" srcset=\"https:\/\/lynhughes.com\/wp-content\/uploads\/2022\/05\/C9E0BF6C-E8FA-45B0-92B5-B52A01695B78_4_5005_c.jpeg 326w, https:\/\/lynhughes.com\/wp-content\/uploads\/2022\/05\/C9E0BF6C-E8FA-45B0-92B5-B52A01695B78_4_5005_c-196x300.jpeg 196w\" sizes=\"auto, (max-width: 326px) 100vw, 326px\" \/><\/figure><\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Sometimes you have to leave behind what you most love . . .<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Sydney, 1950. Following a chance encounter at Central Station, Francis Sprigge and Lilian Powys, two strangers escaping their past, fall in love and move to the Blue Mountains to follow their dream of a creative life. But as Francis immerses himself in his newfound passion for designing exquisite wallpaper, Lilian finds that the life she has always craved is inexplicably beyond her reach, despite her loving husband and their young daughter, Addie. However hard she tries to come to terms with the past, she ends up with more questions than answers, and cracks begin to appear in the family\u2032s harmonious veneer, with startling repercussions.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Nearly thirty years later, Addie returns to the Blue Mountains to lead a small group of conservators in the restoration of a historic house to its nineteenth-century glory. But as they peel back the layers of wallpaper and begin to uncover the secrets of the house, all four find the past resurfacing in unexpected ways. Addie learns much more about herself, Francis and Lilian than she ever could have anticipated.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><em>Flock\u00a0<\/em>is a powerful story of talented and passionate people and the ghosts they must lay to rest, as well as a ravishing exploration of the nature of love.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><em><a href=\"http:\/\/www.harpercollins.com.au\/books\/Flock-Lyn-Hughes\/?isbn=9780732291853\" target=\"_blank\" rel=\"noreferrer noopener\">Flock<\/a><\/em>\u00a0is published by HarperCollins Fourth Estate and available in both paperback and\u00a0eBook.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Wallpaper Institutions and Museums<\/strong><br \/>I visited these in writing\u00a0<em>Flock<\/em><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><a href=\"http:\/\/www.nationaltrust.org.uk\/main\/w-plasnewydd\" target=\"_blank\" rel=\"noreferrer noopener\">Plas Newydd\u00a0<\/a>(Llangollen, North Wales)<\/li>\r\n<li><a href=\"http:\/\/www.lydiardpark.org.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lydiard Park<\/a>\u00a0(Swindon, Wiltshire)<\/li>\r\n<li><a href=\"http:\/\/www.nationaltrust.org.uk\/main\/w-vh\/w-visits\/w-findaplace\/w-erddig\" target=\"_blank\" rel=\"noreferrer noopener\">Erddig<\/a>\u00a0(Wrexham, North Wales)<\/li>\r\n<li><a href=\"http:\/\/www.vam.ac.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Victoria and Albert Museum\u00a0<\/a>(London, home to the William Morris collection)<\/li>\r\n<li><a href=\"http:\/\/www.hht.net.au\/museums\" target=\"_blank\" rel=\"noreferrer noopener\">NSW Historic Houses Trust\u00a0<\/a>in Sydney\u2014Rouse Hill House, Vaucluse House, Elizabeth Bay House and Elizabeth Farm<\/li>\r\n<li>Rippon Lea (Melbourne)<\/li>\r\n<li>Christ\u2019s College Library, Cambridge University<\/li>\r\n<li>Collits\u2019 Inn (Hartley Vale, NSW)<\/li>\r\n<li>Maison de Chateaubriand (Vall\u00e9e-aux-Loups, near Paris)<\/li>\r\n<li>Mus\u00e9e des Arts et Traditions Populaires, Ch\u00e2teau de Champlitte (Champlitte, France)<\/li>\r\n<li><a href=\"http:\/\/www.museepapierpeint.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mus\u00e9e du papier peint<\/a>\u00a0(Rixheim, France)<\/li>\r\n<li>Notre Dame des Fontaines (near La Brigue, France)<\/li>\r\n<li><a href=\"http:\/\/www.lesartsdecoratifs.fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mus\u00e9e des Arts d\u00e9coratifs\u00a0<\/a>(Paris)<\/li>\r\n<li><a href=\"http:\/\/www.paris.fr\/portail\/loisirs\/Portal.lut?page_id=6468\" target=\"_blank\" rel=\"noreferrer noopener\">Mus\u00e9e du Louvre\u00a0<\/a>(Paris)<\/li>\r\n<li><a href=\"http:\/\/www.paris.fr\/portail\/loisirs\/Portal.lut?page_id=6468\" target=\"_blank\" rel=\"noreferrer noopener\">Mus\u00e9e Carnavalet\u00a0<\/a>(Paris)<\/li>\r\n<li><a>back to top<\/a><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Wallpaper Texts<\/strong><br \/>I used these in writing\u00a0<em>Flock<\/em><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li>Adams, David (ed.) 1979,\u00a0<a href=\"http:\/\/catalogue.nla.gov.au\/Record\/2080251\" target=\"_blank\" rel=\"noreferrer noopener\">The Letters of Rachel Henning<\/a>, Penguin Books, Ringwood, Vic<\/li>\r\n<li>Brindley, B.H. 1950, Australian Home Decorator and Painter, Cologravure Publications (The Herald &amp; Weekly Times, Ltd), Melbourne<\/li>\r\n<li>Carlyle, Thomas 1906, The French Revolution (Vols I &amp; II), Macmillan &amp; Co, New York<\/li>\r\n<li>Clarke, Kenneth 1964, Ruskin Today, Penguin Books, London<\/li>\r\n<li>Freeland, J.M. 1988, Architecture in Australia, A History, Penguin Books, Ringwood, Vic<\/li>\r\n<li>Frangiamore, Catherine 1977, Wallpapers in Historic Preservation, Technical Preservation Services Division, US Department of the Interior, Washington DC<\/li>\r\n<li>Hoskins, Lesley (ed.) 1994,\u00a0<a href=\"http:\/\/www.thamesandhudson.com\/9780500285688.html\" target=\"_blank\" rel=\"noreferrer noopener\">The Papered Wall: The History, Patterns and Techniques of Wallpaper<\/a>, Thames &amp; Hudson, London<\/li>\r\n<li>Lane, Terence &amp; Serle, Jessie 1990, Australians at Home: A Documentary History of Australian Domestic Interiors from 1788 to 1914, Oxford University Press, Melbourne<\/li>\r\n<li>Lewis, Miles, \u201c11.02 Paper &amp; Papier M\u00e2ch\u00e9, from Section Eleven: Finishes\u201d, an online database, Australian Building: A Cultural Investigation<\/li>\r\n<li>Lucas, Clive &amp; Joyce, Ray 1987, Australian Country Houses, Lansdowne Press, Melbourne<\/li>\r\n<li>Murphy, Phyllis 1985, The Decorated Wall: Eighty Years of Wallpaper in Australia c1850\u20151930, The Historic Houses Trust of NSW, Sydney<\/li>\r\n<li>Nouvel-Kammerer, Odile 2000, French Scenic Wallpapers 1795\u20151865, Mus\u00e9e des Arts d\u00e9coratifs, Flammarion, Paris<\/li>\r\n<li>Nylander, Jane C. &amp; Nylander, Richard C. 2005,\u00a0<a href=\"http:\/\/www.wiley.com\/WileyCDA\/WileyTitle\/productCd-0471706558.html\" target=\"_blank\" rel=\"noreferrer noopener\">Fabrics and Wallpapers for Historic Buildings<\/a>, John Wiley &amp; Sons, Hoboken NJ<\/li>\r\n<li>O\u2019Brien, Siobhan 2004,\u00a0<a href=\"http:\/\/www.allenandunwin.com\/default.aspx?page=94&amp;book=9781741143980\" target=\"_blank\" rel=\"noreferrer noopener\">A Life by Design: The Art and Lives of Florence Broadhurst<\/a>, Allen &amp; Unwin, Crows Nest, NSW<\/li>\r\n<li>O\u2019Neill, Helen 2006,\u00a0<a href=\"http:\/\/www.hardiegrant.com.au\/books\/books\/book?isbn=9781740662949\" target=\"_blank\" rel=\"noreferrer noopener\">Florence Broadhurst: Her Secret and Extraordinary Lives<\/a>, Hardie Grant Books, Melbourne<\/li>\r\n<li>Parry, Linda (ed.) 1996, William Morris, Philip Wilson Publishers with the Victoria and Albert Museum, London<\/li>\r\n<li>Rosenband, Leonard N., Jean-Baptiste R\u00e9veillon: A Man on the Make in Old Regime France, French Historical Studies, vol. 20, Summer 1997<\/li>\r\n<li>Ruskin, John 1978,\u00a0 Praeterita: the Autobiography of John Ruskin, Oxford University Press, New York<\/li>\r\n<li>Stapleton, Maisy (ed.) 1983, Historic Interiors, Sydney College of the Arts Press, Sydney<\/li>\r\n<li>Tackett, Timothy 2003, When the King Took Flight, Harvard University Press, Cambridge, Massachusetts<\/li>\r\n<li><a>back to top<\/a><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Wallpaper Experts<\/strong><br \/>Wallpaper experts who assisted in my research for\u00a0<em>Flock<\/em><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><a href=\"http:\/\/www.lesartsdecoratifs.fr\/english-439\/the-institution\/contacts-2151\" target=\"_blank\" rel=\"noreferrer noopener\">V\u00e9ronique de la Hougue<\/a>, Conservatrice, D\u00e9partement des papiers peints,\u00a0 Mus\u00e9e des Arts d\u00e9coratifs, (Paris), for sharing precious time with me and for her tireless work on behalf of wallpaper<\/li>\r\n<li>Marie-Claire Nathan (Paris) for generously sharing her PhD thesis \u2018Jean-Baptiste R\u00e9veillon 1725\u20151811\u2019<\/li>\r\n<li>Joanne Kosuda-Warner, Assistant Curator of Wallcoverings, Cooper-Hewitt, National Design Museum, Smithsonian Institution (New York), who, perhaps unwittingly but happily, encouraged me not to fall flat on my wallpapery face<\/li>\r\n<li><a href=\"http:\/\/www.usu.edu\/history\/faculty\/rosenband\/profilerosenband.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Leonard N. Rosenband<\/a>, Professor of History, Utah State University, for a copy of his revelatory journal article \u201cJean-Baptiste R\u00e9veillon\u2014A Man on the Make in Old Regime France\u201d<\/li>\r\n<li>Philippe de Fabry, Archivist at the Mus\u00e9e du papier peint, Rixheim, France (the sole wallpaper museum in the world), for access to the archives and original prints of R\u00e9veillon\u2019s arabesques and flocks<\/li>\r\n<li><a href=\"http:\/\/uk.linkedin.com\/pub\/candace-guite\/19\/796\/3b2\" target=\"_blank\" rel=\"noreferrer noopener\">Candace Guite<\/a>, Librarian at Christ\u2019s College, University of Cambridge, for access to the remarkable Cambridge Fragments<\/li>\r\n<li>Joanna Nicholas, Curator, and\u00a0<a href=\"http:\/\/www.heritageaustralia.com.au\/bookreviews.php?id=45\" target=\"_blank\" rel=\"noreferrer noopener\">Michael Lech<\/a>, Assistant Curator of the Historic Houses Trust\u2019s Caroline Simpson Library and Research Collection (Sydney), for helpful information on early Australian wallpaper designers and access to sample books of Florence Broadhurst\u2019s wallpapers<\/li>\r\n<li>Casey Khik of\u00a0<a href=\"http:\/\/www.cheesoonfitzgerald.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Chee Soon &amp; Fitzgerald\u00a0<\/a>for an informative chat on Florence Broadhurst<\/li>\r\n<li><a href=\"http:\/\/www.signatureprints.com.au\/aboutus\/aboutus_davidlennie_bio2.html\" target=\"_blank\" rel=\"noreferrer noopener\">David Lennie\u00a0<\/a>of Signature Prints, owner of the Florence Broadhurst library, for helpful instruction on how to hand-print a wallpaper<\/li>\r\n<li><a>back to top<\/a><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\"><strong>Other Wallpaper Links<\/strong><\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><a href=\"http:\/\/www.timorousbeasties.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Timorous Beasties Design Studio<\/a>, Glasgow Scotland<\/li>\r\n<li><a href=\"http:\/\/wallpaperhistory.com\/VintageWallpaperGuide\/\" target=\"_blank\" rel=\"noreferrer noopener\">Wallpaper history<\/a>\u00a0website<\/li>\r\n<li>ABC\u00a0Arts Online &#8211;\u00a0<a href=\"http:\/\/www.abc.net.au\/arts\/stories\/s2975903.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Art Nation item on wallpaper<\/a>\u00a0on Friday, 6 August 2010 at 3:34pm: Sydney\u2019s Historic Houses Trust takes a close look at the history of wallpaper, from Australia\u2019s earliest samples to new artist-driven designs.<\/li>\r\n<li><a>back to top<\/a><\/li>\r\n<\/ul>\r\n","protected":false},"excerpt":{"rendered":"<p>Sometimes you have to leave behind what you most love . . . Sydney, 1950. Following a chance encounter at Central Station, Francis Sprigge and Lilian Powys, two strangers escaping their past, fall in love and move to the Blue Mountains to follow their dream of a creative life. But as Francis immerses himself in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":38,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lynhughes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23"}],"version-history":[{"count":10,"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":772,"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/pages\/23\/revisions\/772"}],"up":[{"embeddable":true,"href":"https:\/\/lynhughes.com\/index.php?rest_route=\/wp\/v2\/pages\/38"}],"wp:attachment":[{"href":"https:\/\/lynhughes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}